Zarina Hashmi 
        (1937 - 2020) 
        
        
        Homes I Made / A Life in Nine Lines  
     
    
    
    
    
         
         
        Zarina Hashmi first experimented with printmaking in the 1960s, and has since adopted various printing techniques in her body of work. Over time, she has sophisticated her aesthetic as a printmaker, conveying layers of meaning through images built with an economy of line and form. In her works, “…Zarina draws upon the poetics of space and the politics of cultural migration to inscribe her memories of the people, places and things she has... 
        Zarina Hashmi first experimented with printmaking in the 1960s, and has since adopted various printing techniques in her body of work. Over time, she has sophisticated her aesthetic as a printmaker, conveying layers of meaning through images built with an economy of line and form. In her works, “…Zarina draws upon the poetics of space and the politics of cultural migration to inscribe her memories of the people, places and things she has encountered. With each carved line that forms the graphic imprint of a woodcut, Zarina maps out a personal autobiography of absence and loss that is formally characterized by the formation of shape, the recurrence of symbols and the calligraphic flair of a word/phrase in Urdu, her mother tongue. These elements interplay in their multiple variations with subtlety and precision, revealing a sensibility that is uncompromising in its search to locate meaning. Ground plans of houses she has lived in and left, maps of the countries she has passed through, letters written her by a sister deeply affected by the absence of her kin: such are the visual sources that plot the narrative fabric of Zarina’s experience and engender an exploration of themes that resonate universally as well” (Sharmistha Ray, Zarina: Weaving Memory 1990-2006, Bodhi Art exhibition catalogue, 2007, not paginated). 
    
    
    
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            Lot
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                    SPRING AUCTION 2011
                     
                    16-17 MARCH 2011
                 
                 
                
                    Estimate
                     
                    
                        Rs 6,00,000 - 7,00,000
                         
                        $13,640 - 15,910
                      
                      
                 
                 
                 
                
                 
                
                
                    Winning Bid 
                 
                
                    Rs 7,40,600
                     
                    $16,832 
                 
                (Inclusive of Buyer's Premium)
                 
                
                
             
                
                 
                
                
                
                
            
            
            
       
     
     
    
    
    ARTWORK DETAILS 
    
        Zarina Hashmi  
         
        Homes I Made / A Life in Nine Lines  
        Signed and dated in English (lower right) 
        1997 
        Chin Colle on handmade Nepalese paper 
        
        15.5 x 14.5 in (each) 
39.4 x 36.8 cm (each) 
       
    
    
        (Set of nine) 
Ninth from a limited edition of twenty prints 
        Title: Homes I Made / A Life in Nine Lines 
a) First Home: Bangkok 1958-1961 
b) Planted a garden of roses from Aligarh: New Delhi 1961-1963 
c) Watched The Seine flow by and waited for him to come home: Paris 1963-1967 
d) A room of my own: New Delhi 1968-1974 
e) An uncertain time: Bonn 1971-1972 
f) A room of four and a half Tatami: Tokyo 1974 
g) Edge of temporariness: Los Angeles 1975-1976 
h) A horizontal blue line: Santa Cruz 1992-1997 
i) A space to hide forever: New York 1976.
    
    
    EXHIBITED & PUBLISHED: 
Zarina: Weaving Memory, 1990-2006, Bodhi Art, Mumbai, 2007 
Mills College Art Museum, Oakland, California, 2001 
Queens Museum of Art, New York, 1997 
EXHIBITED: 
The Ten Thousand Things, Luhring Augustine, Paris, 2009
    
        Category: Print Making 
        Style: Abstract