Exhibitions

Lot 5

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S H Raza
Untitled

- - This Parisian landscape, painted in the mid 1950`s, illustrates Raza`s transition from media like watercolour and gouache to thicker oils. Critic Yashodhara Dalmia writes of this development, "His medium changed from gouache in tempera to impasto in oil, signifying a major breakthrough with the paint coming into its own" (The Making of Modern Indian Art: The Progressives, Oxford University Press, New Delhi, 2001, p. 151). This change allowed the

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