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Lot 48

 

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a) Edwin Mullins, The Human and the Divine Predicament: New Paintings by F N Souza, London: Grosvenor Gallery, 1964

13 pages with 11 black and white plates of his works; Softcover, stapled wrappers
8 x 8.25 in (20 x 21 cm)

Published on the occasion of F N Souza’s major solo exhibition at Grosvenor Gallery, London, from 31 March to 25 April 1964, this catalogue features an extended essay by art critic Edwin Mullins, who explores Souza’s continuing engagement with themes of religious iconography, sexuality, violence, and human fallibility. The essay provides an in-depth critical lens on Souza’s powerful and provocative visual language during this significant phase of his London period.

The publication is illustrated with black-and-white reproductions of Souza’s recent paintings, reflecting his bold handling of line, distortion, and symbolism. The title itself encapsulates Souza’s existential exploration of man’s place in a fractured spiritual and social world.

A rare and important exhibition document capturing Souza’s evolving practice and critical reception in post-war Britain. Increasingly scarce in collectible condition.

b) Studio International Art, Volume 167, no. 852, London: The Studio, April 1964.

50 pages illustrated in black and white and colour; paperback
12.25 x 9.5 in (31 x 24 cm)

A richly illustrated issue of the influential British art magazine Studio International, published in 1964, featuring the important essay The Human and the Divine on F N Souza, by Mervyn Levy, accompanying his landmark exhibition at Grosvenor Gallery. The article offers rare contemporary insight into Souza’s provocative practice, examining themes of eroticism, religious conflict, and existential tension that defined his London period.

Additional articles include Arnaldo Pomodoro by Gillo Dorfles; Gallery Going in Zurich by G.S. Whittet; features on Gérard Singer, Michel Concil, and Lacoste; and a survey of The New Grosvenor Gallery.

The magazine captures the vibrancy of the 1960s European and international art scenes and documents Souza's rising profile within them.

A scarce and collectible periodical issue, significant for researchers and collectors of F N Souza and post-war British modernism. Notable for containing original period writing on Souza by leading critics of the time.

(Set of two)