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Explaining the relationship between nature and the human body that comes to the fore in his large wire-mesh sculptures, Dhananjay Singh notes, “I observe in nature an unending lifecycle in which matters keep transforming into other forms and appearances in the process of birth and rebirth, growth and decay. Man is also a part of nature, and before him this drama spreads .The human body is an observer or is observed as an embodiment of itself... Explaining the relationship between nature and the human body that comes to the fore in his large wire-mesh sculptures, Dhananjay Singh notes, “I observe in nature an unending lifecycle in which matters keep transforming into other forms and appearances in the process of birth and rebirth, growth and decay. Man is also a part of nature, and before him this drama spreads .The human body is an observer or is observed as an embodiment of itself without any specific features, representing the universal with subjective interpretation about life and its stages…The human body fascinates me because we can associate our emotion and compare it with other forms of life. When looking inside of the complex mechanism it surprises me when I compare different organs with different parts of a tree having the same function with different feeling in form. For instance nerves in tree leaf or fibers become very soft structure in human body…” (adapted from an interview with the artist, Saffronart, January 2009).

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