Important Notice

AZERBAIJAN, IRAN, LATE 19TH CENTURY
Handspun and handwoven cotton warp with silk and wool weft, natural dyes
26.25 x 72.75 in (67 x 185 cm)

NON-EXPORTABLE

The Shahsavans live in the northwestern parts of Iran and migrate down Dashte Moghan, bordering Russia and move through areas around Ardebil. They are known for their rich repertoire of designs, a range of intricate techniques, and a sensitive colour palette. They were largely nomadic pastoralists and this special hearth rug would have been placed in the centre of their tents where the fire place is located. It is used for ceremonies and for seating honoured guests. It is also used to seat newly married couple and serve them their first family meal.

It is woven in the soumak technique, which weaves the designs in multiple coloured, non-continuous weft threads. The threads are left to float at the back. This technique of non-continuous weft woven in twill technique is linked to the termeh, the shawl technique. Tightly woven with myriad intricate designs, the central panel is divided into four equal squares filled with hooked motifs, and is woven with multiple borders.

Jasleen Dhamija acquired this piece in Ardebil in 1976 from a member of the Shahsavan tribe.

AZERBAIJAN, IRAN, LATE 19TH CENTURY
Handspun and handwoven cotton warp with silk and wool weft, natural dyes
26.25 x 72.75 in (67 x 185 cm)

NON-EXPORTABLE

The Shahsavans live in the northwestern parts of Iran and migrate down Dashte Moghan, bordering Russia and move through areas around Ardebil. They are known for their rich repertoire of designs, a range of intricate techniques, and a sensitive colour palette. They were largely nomadic pastoralists and this special hearth rug would have been placed in the centre of their tents where the fire place is located. It is used for ceremonies and for seating honoured guests. It is also used to seat newly married couple and serve them their first family meal.

It is woven in the soumak technique, which weaves the designs in multiple coloured, non-continuous weft threads. The threads are left to float at the back. This technique of non-continuous weft woven in twill technique is linked to the termeh, the shawl technique. Tightly woven with myriad intricate designs, the central panel is divided into four equal squares filled with hooked motifs, and is woven with multiple borders.

Jasleen Dhamija acquired this piece in Ardebil in 1976 from a member of the Shahsavan tribe.